Improvisation on No Valves (2018) Horn and electronics (7’)
Fragment Studies (2019) Piano (10’)
Squidward’s Lament (2019) Clarinet and electronics (8’)
Second Chances (2021) Viola (4’)
Commonalities (2017) Horn, violin, piano (4’)
Smirr (2022) Percussion duo (11’)
Live to Forget (2022) Soprano, viola with fixed electronics (5’)
Haze (2022) Violin, cello, piano (12’)
Audition (2018) Saxophone quartet (3’)
Incoherent Images (2018) String quartet (4’)
Test Drive (2018) Piano, violin, viola, cello (3’)
Departure (2019) Brass quintet (4’)
Shadows (2019) Alto saxophone, percussion, double bass, piano (10’)
La Lune (2017) Flute, piano, string quartet (6’)
Last Tango (2019) Soprano, vibraphone, string quartet (9’)
Stage Two (2022) Brass dectet (3’) 4.1.3.1.1
have I heard this one before (2022) Brass dectet (8’) 3 + flugel.1.3.1.1
Thirteen (2018) Orchestra (4’) 2.2.2.2 / 2.2 / timp + 1 perc / strings (2018) 2.2.2.2 / 4.3.2.1.1 / timp + 1 perc / harp / strings (edited in 2021)
No (Man’s) Lan(d) (2019) Orchestra (8’) 2.2.2.2 / 2.2.3.1 / timp / strings
i did not think anything useful today (again) (2019) SATB choir (3’)
the horizon gazes into you (2023) 2 (+pic).2.2.1 +contrabassoon / 4.2.2.1.1 / timp + 1 perc / harp / strings
The Weir (2017) Solo violin (20’) Incidental music written for The Weir by Conor Mcpherson. Directed by Chris Tully for the King’s Theatrical Society.
Mob Mentality (2019) Trumpet, horn, violin, cello, timpani (9’) Film score for Mob Mentality, directed and written by Jordan Beck Crouse.
Baduk (2021) Solo piano (5’) Film score for Baduk, written and directed by Induk Lee.
Homebody (2021) Audio and video (3’)
I’m supposed to feel something Audio and video (5’)
